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She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. And in these crowded four weeks, what had she learned? That all horizons were lies: that smiles and handshakes and goodbyes and welcomes were lies: that there were really no to-morrows, only a treadmill of to-days: and that out of these lies and mirages she had plucked a bitter truth—she was alone.

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This video was uploaded to gelatissimotp.it on 10-04-2024 04:23:43

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